- Wings of Desire: Wim Wenders' most transcendent film; haunting, poetic, beautiful story about an angel who decides to give up immortality to become human.
- Jaws: I can never get enough of this one, perhaps because, while still thrilled by the narrative, I increasingly appreciate the craft and the genius of the filmmaking. It's also probably the most memorable "film event" of my life: my grandparents took me to see it as an eleven year-old, against my mother's strict warning that they not do so! I remember wearing brand new sneakers that night, which ensured that my visceral discomfort stretched from head to toe. Incidentally, my grandparents would further enrage my mother by taking me, the following summer, to see Tarzan -- the version where Bo Derek is naked for about 100 minutes; this film (but for Bo, of course) would undoubtedly be in my list of Top 5 most horrible films I've ever seen.
- The English Patient: this would probably also be in my Top 5 literary works list. I'm a sucker for this film. I was so sad when I learned that the director, Anthony Minghella, died suddenly a few years ago; he was an amazing talent. This is one of those rare cases when book and film nourish and augment each other in the best of ways.
- It's a Wonderful Life: does it need a justification? Is there a film with a bigger emotional payoff at the end than this one?
- Cinema Paradiso: this is perhaps the most flawed of the five films I include, but you have to love a film that celebrates the love of film. And it comes with its own wallop of an emotional payoff during the poignant coda.
It's painful to leave out Peter Jackson's grandly stirring The Lord of the Rings films, as well as the first Alien film (sci-fi suspense doesn't get any better), and somehow I feel the original Star Wars should be in the running merely because of the movie experience it offered to this then twelve year-old ("You're all clear, Kid, now let's blow this thing and go home!" ah, the goosebumps!) -- it's also the only film I ever saw more than twice (five times, in fact) in the theater ... And I've neglected comedies ... Anyway, have at it ... if you'd like! And while you're at it, you could always drop down to the "Canon Fodder" post below (10/5) and add your ten entries for what works you think must be found in a literature curriculum!
Wow- you have much classier movie taste than I but here we go:
ReplyDeleteSound of Music: I grew up with this musical and my mom is crazy about it! A young woman striking out and making her way in the world. A man's struggle to stand up against an evil growing around him. Classic.
Tommy Boy: Chris Farley was a talented actor who often claimed he "only played one character," but this is not true. Perhaps his gift lay in the subtlety he brought to his characters- no table crash ever quite the same. The interplay between he and David Spade always gets me. This film has humor, triumph, and a protagonist who finds his confidence and outsmarts the bad guy. Plus he washes cow poop off himself with gas! "Brothers don't shake hands. Brothers gotta hug."
A Midsummer Night's Dream: The 1999 production with a kick-ass cast! Kevin Klein, Stanley Tucci, Calista Flockhart, Michelle Pheiffer, the list goes on. Before you raise your eyebrow at Calista Flockhart, I assure you she did remarkably well. She easily did better in her role as Helena than Pierce Brosnon did in Mama Mia, and he at least got credit for trying. So give her a chance. The production did a good job sticking to the script- usually my biggest complaint in this situation. The play is reset in early 1900's Tuscany so you get great settings, opera, and fairies drinking wine!
Lost in Translation: My favorite movie to watch by myself with a bottle of wine. Bill Murray was a rising movie star when I was young, and I grew up seeing him as a man trapped in an unusual time loop and a well-meaning but intrusive psychiatry patient. As a result, Lost in Translation with its coming-of-adulthood themes has special significance for me. I love how the city of Tokyo becomes almost a character itself. I love how Sofia Coppola showcased adult angst and problems surrounding communication through two seemingly dissimilar people. Their bond at a time when both of their lives are breaking up in some way is touchingly beautiful. A testament to believe in the power of strangers and the roles they play in our lives. What does he whisper to her at the end?!?!
The Last of the Mohicans: My second favorite movie to watch by myself with a bottle of wine! Also, the only movie I like better than the book. The film captures the vast, unknown wilderness and how terribly frightening that must have been for British soldiers. I do love the romantic element, "I will find you!" and the end with Alice and Uncas. It's so good! But I can't get over how well the essence of freedom is represented- electric, razor-sharp freedom. An experience so dangerous, but so liberating. To finally live as your own person- even for a day it would be worth the risk and far too addicting to give up.
Alright- let's see what you got!
Oh, yes, all great choices, Brittani. I love "The Last of the Mohicans" -- the incomparable Daniel Day Lewis, right (it's too bad he seems to have such a full life beyond acting, because we don't get to see him enough). I remember that thrilling chase scene in that film with the propulsive Irish-sounding music on the soundtrack -- great stuff ...
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